I got the call again to work with art director Rachel Simper in producing 3 portraits of Olympic Kayaker Tate Smith. Tate strokes the Australian Men’s K4 Team, who finished second in the world this year. He’s one of our medal hopes for the 2012 London Olympics.
I was recently asked by advertising agency Tusk to produce some images for the Suns AFL team.
The brief called for stylized shots to be shot during the day, but appear as if they were during an actual night game, while focusing on the Suns Merchandise for retail.
To get the look we were after, I had my right hand man Josh hold an strobe with an umbrella on a pole above our key talent, in what we cheekily refer to as “the Leibovitz” since Annie seems to do it a fair bit. We then underexposed the scene, making sure that the only light coming through was from the light we were firing. The talent that was not the absolute focus of each hero shot vanished into the falloff.
To complete the mood, we had 2 more lights behind the talent, one in a large softbox to the left of shot, and one high up behind everyone facing towards the camera. These gave the lighting I envisioned would be there at a real game.
We then shot players David Swallow, Campbell Brown, and Maverick Weller on field and in the locker room. For these we used a range of single light beauty dish to 3 light setups.
The product component was shot by our friends at Many Things.
Special thanks to all the cast, players, Tayah Bot from the Suns & Andrew Suggit & Darren Gill from Tusk
Earlier this week I wrapped a shoot that went over 2 days, in which I shot tethered or straight into the computer for the entire time. The shoot went real well and everyone was happy as it was a big logistical effort to get all the elements right.
The moment I walked in the door, I started typing an email when….BANG, the computer went dead and would not boot back up. Over a couple hours I found out that my hard disk had failed and I had lost everything on there.
Now, luckily I had stuck to a backup system and didn’t wind up losing anything. The shoot had been backed up as I went to another drive, so when I fired the shutter it went to 2 places, the laptop & an external drive. Plus between my server and Time Machine, I didn’t lose anything except my laptop for a couple days. I was able to keep working on my desktop and thanks to the service at Apple they had a new drive installed in about 12 hours.
It took me a long time sifting through a lot of articles and talking to different people to figure out a good way to store my digital assets, and there is a lot of info out there from photographers with all different budgets, so I thought I’d share how I do mine in the hope that it helps someone out there. I made a nice little diagram to explain.